Monday, September 18, 2017

Silence

Last week, I didn't update anything. Mostly, it was because I had a mad week, including one day where I was sitting on a film set, pretending to watch tennis for about twelve hours.

But except for that, knowing that I would be doing that all day meant I had to squeeze everything else into the rest of my week. (And you guys know I'm snowed under in the best of circumstances.)

Honestly, though, I've been quiet last week for another reason: 911.

Monday came and I didn't know what to say. I remembered the day our lives all changed, but I couldn't find anything to say about it. It would have been good to say that it's brought us closer together, but recent events have all but proven that it has not.

So what do I say?

How sad it was? That's ridiculous, given the cost of life, both on the day and as a result of the aftermath. It's not a sad day. It was and still is a tragedy.

Do I talk about how the world has gotten up from this blow and became a better place because we refused to give in to fear, hatred and bigotry?

Do I say I'll remember? That I'll never forget? Again... pointless because that goes without saying. But what does "Never Forget" even mean? Last year, I thought of it as a call to remember the dead, the loss of innocence. Last week, it felt like recalling an old grudge.

So really. I'm at a loss. And I've been at a loss for days.

Friday, September 8, 2017

My Five Writing Rules

Hey everyone!

This video is a continuation of my vlog on making sense of writing advice. In the previous vlog, I had pointed out that not all rules suit all people, so this time I shared the rules I apply the most to my own writing.


Here's the script, for those of you who don't like the video thing...

My Five Writing Rules

I decided it’s time to get back to those writing rules. Previously, I talked about how no writing rule is ever hard and fast for every writer, but I thought it might be interesting to share my personal rules because those very much dictate the reading experience of my writing.
Man. I actually have a lot of them. But let’s start with 5.

1) In rough drafts, there are no rules.

For me, rough drafts are where my mind can really take wing and fly, so I try to write without worrying about anything. I write for me. What I find interesting. What I want to enjoy. And if that means breaking a million so-called writing rules, that’s fine. I rein it all back in later.

2) Always Rewrite.

Since I just let my words bleed onto the page, the end result is… Okay bad. It’s bad. Really. Really. Bad.

But I expected that and it’s okay. I really don’t believe in perfect first drafts. Because in between the million things that don’t work in the rough draft, there are the hundred things that do, and I wouldn’t have found them if I kept stressing about the quality of my output.

So I take those things I like and I build the story again from scratch, using those things as my foundation. And the result of that draft is miles better.

3) Wait for it…

My writing process is filled with stops and starts. I’ll do an intensive writing period where I’m rough drafting a book. As soon as it’s done, though, I set it aside for at least a month. Then I spend time furiously rewriting the same story. And another rest period. Then I revise. And wait. And edit. And wait… And so on.

Because when it comes to perfecting my work, I need distance from it. Distance means time away.

4) Edit and edit some more.

When it comes to getting the book ready for publishing, I’m a bit of an editing fiend. If drafting is for myself, editing is for my readers. So I’ll go over the manuscript again and again, doing my absolute best to make sure the readers have at least a little taste of my experience as I wrote it.

This is also the place where a story goes from meh to amazing, so I go over it again and again until I find nothing more to change. And then I bring outside help in to see if they can’t find anything I missed.

5) At some point, I have to stop.

This is probably the hardest rule for me to follow. I’m a perfectionist when it comes to my work, so I could find better ways to do things and say things and better places for commas almost indefinitely, if I let this perfectionistic streak run amok.

So there’s a point where I know I’m satisfied enough and where any further tweaking is superfluous. That’s where I stop.

It’s hard, though. And that’s where I miss having a publisher who can come in and pull the manuscript from my grabby hands.

That’s it for today! What is your biggest writing rule?

Wednesday, September 6, 2017

IWSG: I'm Back and Boy Am I Feeling the Insecurity

Hey all!

Heads-up to everyone wanting to support Hurricane Harvey victims: There's a charity auction going on right now here

If you're planning to self-publish, you can bid on my ebook and paperback formatting offer.


I've been away from the Insecure Writers' Support Group for a while, but yesterday I decided to get right back onto that bandwagon.

For those of you who aren't familiar with IWSG, it's the brainchild of Alex Cavanaugh, where us writers can go to share our fears and insecurities once a month, on the first Wednesday. In addition, there is also an optional extra question for those of us who just don't feel that insecure at the time.

 

I have a huuuuuuuuuuuuuuuuuuuuuuuuuge insecurity this month, but I stupidly made that my vlog post for last Friday. 

Lucky me, I also have another, smaller, niggling insecurity that I've been trying to ignore. And that big insecurity has just made that feeling much worse. 

In short, I feel like nothing's getting done. 

Which is a stupid feeling for me to have, as I literally have a list every day, where I'm checking off task after task that I've finished. 

But. 

There was once a time when I was capable of rough drafting, rewriting and editing a manuscript in six to eight months. 

That's a lovely pace to maintain. And I did it while having a day-job. 

But since then, all of my projects just seem to be stuck in mud. Book 3 in The War of Six Crowns has been two years (!!!) in the making and it's still not done. And now I'm having problems with another project that will be setting me back for some more months on that. (This is my big insecurity.) 

That's not the worst, though. 

The worst is that I've made the decision to become a full-time writer a year ago. Did that help me speed up? 

Nope. Because now that I have more time for writerly things, I somehow also have less time to actually write, because to be a writer who isn't also a starving writer, I have to do other writing-related jobs for money. This part is surprisingly successful. 

But actually writing? 

Uhm....

Uhm....

Uhm.....

I haven't been able to write in more than a month, now. Mainly because of the crippling insecurity around that other book. But also because I conveniently have a million other things to do, which makes it so easy to procrastinate. 

Sigh. 

Anyone else feel like they're stuck in mud with their writing? I'd ask how you get over that feeling, but I already know the only thing to do is actually stop moaning and start actually working on something again. 

Friday, September 1, 2017

I Hate My Internal Editor Because It's Right

Hey everyone! Before I get to today's vlog post, I just wanted to let you know that I signed up for a charity auction for the victims of Hurricane Harvey. I'm offering to format a book for paperback and ebook, so if that's something you need, you might end you getting my services for a steal. You can click here for more information.

Okay! Time for today's vlog. As always, I left the script at the bottom for those of you who just can't get into the vlog thing. Enjoy!



If I was to think of one word to summarize how I am right now, it would be:

FRUSTRATED.

Why?

Because I have this brain that tells me things like “Hah. You really want to just edit and publish this shit?”

Sarcastic voice and all.

Which I tend to ignore because often, that voice is dead wrong. However, out of two books I’ve wanted to pick up for revision, this voice chimed in twice. And it was right… twice.

Not that this is really a bad thing. I’m taking a long-term view of self-publishing. Yes, I could be publishing once every three months right now, but would I be happy with the quality of my books? Eh…no.

Which isn’t to bash people who are able to do that.

I just can’t.

It’s hard enough to let go of a book as it is. Let’s not rush the process.

But the thing is, my method has always worked as follows: Rough draft by hand, rewrite to computer (with a plan), revise, edit a million times, proofread a few times more, and then I’m ready for formatting.

Except now it’s not working that way. Because now, when my inner editor takes a look at my rewritten draft, it’s seeing glaring weaknesses that would be better solved with yet another rewrite than with revisions.

The previous three times this inner editor chimed up, I could say, “Hey chill out. Yes, it’s not perfect. But a scene here and there would be all this needs to be perfect.”

The last two times, though, my inner editor helpfully pointed out that somewhere between a half and three quarters of my plot wasn’t written.

And that’s a rewrite-scope problem. How do I know? Because the first time it happened, it took me almost a years’ worth of rewrites and FOUR TIMES the amount of words to tell the story in the right way.

But at least there I had the excuse of wanting to split a book in two.

This time, no such luck. This time, I just let major plot points occur way before intro and build-up was done. And so it feels like at least the first third of a story is missing.
Can I fix it by inserting those scenes? Not this time. Because stuff that’s missing now will impact reactions later.

So it’s another rewrite for me. On a book that’s been rewritten four times already, over sixteen years.

Kill me now.

Have you ever prepared to edit, only to realize the underlying draft isn’t worth editing? Did you ignore that feeling or did you rewrite? How did it work out for you? 

Monday, August 28, 2017

Why Writers Need Critique Partners


On September 4th, 2016, I had decided to use my knowledge gained from about sixteen years of writing in order to stabilize my income. I started freelancing as an editor and critique partner on Fiverr and Upwork.

For the most part, I love this job, because it basically pays me to read. A lot. 

But there's a flip-side: I sometimes have to deal with a lot of writing by people learning the craft. Don't get me wrong. I love helping people. But the truth is that often, an editorial letter and comments written into the margins of a manuscript just aren't enough to explain exactly what I mean. 

The biggest reason for this is the huge disconnect in experience between me and my client. At the moment, probably close to two thirds of my clients for content edits are first-time writers. They paid for me to tell them how to improve their stories. 

But when it comes to things that I take for granted, they never even thought about it. Within this blogging community, we've formed a sort of short-hand. When someone's offering to exchange critiques with me, I know it's okay for us to use that short-hand, because we do share a common background when it comes to how and where we find our knowledge.

So in a lot of ways, the bloggosphere forms a sort of hive-mind. Although the transmission of information isn't perfect, I usually know, when I picked another blogger's work up to critique, more or less what the level is that I'm batting for. So when I say, "Your opening isn't really hooking me," I'm pretty dang sure the writer I'm critiquing either knows what I mean, or knows where to find the information they need to correct this issue. 

My belief that this is so is further reinforced by the general level of writing I've critiqued over the last seven years. You can see when someone has a concept of what's going on. 

I believe there are certain fundamentals to the plot and development of fiction (regardless of genre). And most of the time, people in my network get the majority of those fundamentals right. In this way, then, content editing is more about catching where the writer slipped than anything else. I think it's because we are a network that shares what we learned and often I would critique someone, who critiques someone else, who critiques someone else, etc. Because a large amount of us are connected in multiple degrees (I have 20 people or more in my network who are also in your network), it means that the information I share gets refined and then applied to my work again when one of you reads for me. And just so, if I learn something new because of something one of my critique partners (CPs) picked up, I can take that information, refine it, and apply it to that CP's work, and also the work of all my other CPs. 

And so, overall, the quality of our output increases. 

But when I'm freelancing, all those assumptions go out the window. I can't say "This opening isn't a good hook," because the writer has no idea what a hook is. 

And often, none of the fundamentals are there. 

Without any of the fundamentals in place, it's almost impossible to improve the writing without rewriting the whole thing first. And no matter how nicely I try to put it, that's an incredibly demoralizing thing for a new writer to find out.

I'm talking about things like character arcs. I'm talking about motivation. I'm talking about internal logic. I'm talking about obedience to the set-up. I'm talking about having the set-up be in the writing, in a way that's palpable to the reader. I'm talking about not having certain plot points in the writing because it's "done" in the genre, but have that be at the cost of believability. I'm talking about the ways to create tension and to keep the pacing at a reasonable clip. 

These things rarely come naturally to writers. They're learned by trial and error. And honestly, I don't think learning all that by paying an editor is the best way to do that. 

So my suggestion: Don't give up on writing. On the contrary, write more. Practice. But improve on your craft by learning from other writers. Get critique partners and learn both from the critiques you get and the ones you give. Read up to understand why your CPs are suggesting certain things. Learn.

That way, your developmental editor is there to help you perfect what you wrote and revised, instead of finding gaping holes that will make you want to write off your skill as a writer entirely. 

Also, it's easier for a content editor to write a thousand-word outline of why this one thing needs work. Not so much when all of your fundamentals are missing. It's simply too much knowledge for someone to impart in one go, and it's also too much for you, with your small amount of experience, to understand.

All of us had to start somewhere. But those of us who are here after ten years or more crawled before we ran. 

And if you're a new writer paying for an editor without having critique partners look at your writing first, you basically tried to skip to riding a unicycle. 

Do you have critique partners? If so, how did you find them? Any tips for finding and being an awesome critique partner?

Friday, August 25, 2017

Update Day: The End of Year 1

Today is the last Friday of the month, which means it's time for another update on the Got Goals Bloghop. For those of you unfamiliar with Update Day, a bunch of us set some crazy or just plain important goals and update each other on our progress once a month. If you would like more information or to just see who else is taking part, please click here.

PLEASE NOTE IF YOU ARE ALREADY A PARTICIPANT: The site hosting the linky sign-up is down, so please follow the link above to be taken to a blog post where you can leave your update link.


On 4 September, 2016, I had decided to reset my goals and approach writing as a full-time job, where I use my writing knowledge in various ways in order to make a sustainable income.

When I started out, a lot of people thought I was nuts. Heck. Some days, especially in November, I felt I was nuts.

But here I am.

I made it.

So I thought I'd share my thoughts on my progress.

I've been earning minimum wage pretty much consistently this year.

This is both a good and a bad thing. On the good side, the money I earned was enough to keep me and my family going during hard times. 

On the bad, I would have liked to earn more by now. 

The probable reason why I didn't? When I had started out, I had planned to use the money I make to market my books to sell more of them, which would have generated extra income aside from the freelancing I now do. 

But that money basically went into surviving for a large chunk of the year, and otherwise to keep my freelance side of the business afloat. So about 90% of my income is from freelancing, where I would have liked a more even split between my sources of income. And given that those other sources of income would have been passive, meaning I didn't need to do much myself to earn the money, I fell short of where I wanted to be.

That said, the fact that I've been generating pretty much an even income every month means that I should be able to use my freelance work as a spine as I spend next year preparing to publish more books again. 

I finally finished Book 3. 

Ah yes. Book 3. 

Number 1 reason why I didn't publish anything this year: My life went to hell in a handbasket starting around February. 

Number 2 reason: Book 3 itself. The War of Six Crowns is my major focus, writing-wise, so I've basically put all my available time into getting it publishing-ready. The problem is I completely underestimated the sheer size of this project. 

A lot of times this year, Book 3 felt like a bottomless, endless pit and, it wasn't only a case of not being able to finish it on schedule, but also the fact that I literally couldn't work on anything else all year. 

I finished rewriting Book 3 in August, about nine months after I had planned to publish it. Now I'm taking the approach of it's going to take as long as it's going to take, because after putting in this amount of work, I'm really not excited to rush it to market without being happy with the quality. 

Getting something done is like opening a nesting doll. 

Maybe it's because of the way I look at things, but sometimes it feels like everything is connected to everything else. And sometimes, it can be hard to see what needs to be done first. Do I finish writing a book or do I update my website? Do I update my covers and interior or do I set up the newsletter so I can include the newsletter sign-up? Do I spend the morning freelancing so I can get this job out of the way, or do I spend it writing so I can actually make progress on my own work? 

And so on. 

And if I do manage to finish one thing, I take another look and see a thousand more. This often makes it feel like I'm not really making a lot of progress, but as I sit here, looking back, I'm awed. 

And I know that I laid some groundwork for an astounding Year 2. 

How are you doing? Do you have any major goals you're working on?

Wednesday, August 16, 2017

Visiting Juneta

Hey lovely people! I just wanted to let you know that I'm visiting Juneta's blog today to talk about my writing journey thus far. Hope to see you there!

Monday, August 14, 2017

How Writers Can Stretch Time, in Four Steps

Unless the wheels have spectacularly come off my life in some way, people have a tendency to be amazed by how much I get done in a month. And every now and then, someone will ask me how I manage it.

After all, we writers have the same amount of hours in the day. So how do I stretch mine to get so much done?

Step 1: Set Goals and Break Them Into Smaller Chunks

How does that help a writer stretch time? you might ask. Well. One of my big secrets to getting stuff done is knowing what I want to do.

So I set myself some huge goals, and then I break them into progressively smaller chunks.

For example:

Goal 1: Make a living wage from writing books. 
  1. Write books. 
    1. Write this one book. 
      1. Write 1,000 words every day.
      2. Write 50,000 words.
    2. Write the next book. 
      1. Write 1,000 words every day. 
      2. Write 50,000 words.
  2. Edit books. 
    1. Revisions
    2. Edits
    3. Proofread
  3. Publish books
    1. Format books.
    2. Upload them to retailers. 
And so on. Now I not only have this big goal, but I also see the steps to get to that goal. (The ones that are in my control, anyway.)

I often break even the steps into smaller steps, until I have hundreds of little things I need to do.

Which might sound terrifying, but what sounds easier:

Make a living from writing? Or write 1,000 words today?

So what I'm doing is to break all of my goals into smaller, bite-sized chunks. And then I move onto Step 2.

Step 2: Set Your Priorities. 

Once I know what I want and how I'm planning to get there, I can sit down and decide what's the most important to me. 

But here's the important thing: I decide what's important to me right now. 

This bit is a trick to my success, because a lot of those big goals I set are pretty much equal when it comes to how important they are in my life. 

I don't have kids, but if I had, I wouldn't be able to say writing is more important than my children. But I wouldn't ever be able to call writing unimportant either. 

So the thing is, if you're sitting down to get going, there will be things on that specific day that's more important. If you know you want to focus on that, then focus on that. But also know when you've neglected some other aspect, so you can temporarily bump that thing up your priority list in order to even everything out. 

Step 3: Create a To-Do List.

Once I know all the things that are really important, I can quickly write down the 10 things that are weighing on me the most. (I like 10 for being a nice, even number, but pick whatever works for you.) 

Next thing I do is to number the order in which I'd like to do those 10 things. 

Why? 

Because if I decide upfront what I want to do after I've finished the task at hand, I don't have to waste time later trying to decide what I should be doing. 

How do I pick the order? 

This depends. Some days, it's in order of the shortest deadline to the longest. Other days, it's Writing first and everything else next. Today I'm not feeling a bit lethargic, so I'm making up for it by starting with something easy, then something hard, then easy, then hard etc. 

Step 4: Start Doing

Yeah I know. Obvious, right? But sometimes, people underestimate how important it is to just get going. There's a reason why, when it comes to the setting of my to-do list, I keep things simple. I don't try to schedule anything because I know it takes longer for me to schedule and re-schedule as my day shifts. Time that I could actually be using to tick stuff off my to-do list. 

So once I have my 10 things and I know in which order I'd like to do things. I start. If something happens to prevent me from completing one task, I move onto the next. (Writing this blog is task number 4. Number 3 is postponed because I'm waiting for information.) I might get back to it later. I might postpone to tomorrow. 

And no, there's nothing wrong with postponing as long as it's not going to break a deadline. Because unless you set the bar really low, there's no way you're going to finish all the tasks you set for yourself. 

So move the stuff you didn't get to. Just as long as you get it done. 

And My Big Secret? 

I don't multitask. 

Whaaaaaaaaaaaat? 

Yeah, I know. People usually act like multitasking is the way to go. Especially if you have as many and as varied goals as I do. 

But here's the thing. No one actually multitasks. 

You're just rapidly switching your focus from one thing to the next thing. 

As I'm sitting here, I'm writing this post without looking at my twitter. When I'm doing my social networking stuff, I don't do it while watching T.V. When I am doing something to relax, I try to do so without bringing "work" along. Unless you count crafting as work. But that's a whole other story. 

Point is: If I'm at task number 1, I focus on that task until it's done, or until I take a break. 

And then I focus on the next thing. 

And the next thing. 

And the next. 

Why? 

Because when I'm focusing, I'm making fewer mistakes. And I actually speed up. Because I don't even have the smallest moment of thinking "what did I want to do here again?" 

And so, things get done one little step at a time. And then at the end of the month, I take stock and actually realize how much I have achieved. 

What about you? Are you a multitasker? Do you have a system for getting everything done? What tips do you have? 


Monday, August 7, 2017

5 Things to Remember When Giving Writing Advice


This morning, I watched a vlog post by one of my favorite writing vloggers on YouTube. And to be honest, the post left me fuming.

The post was about ten types of writers that are "the worst," as in people who suck.

And I did agree with nine out of the ten points, because they dealt with things like genre elitists, mansplainers etc.

But one was basically a take-down of character-driven pantsers like me. And that ticked me off, because she basically lumped a perfectly valid approach to writing right in there with writers who want to write but never actually do and people who write comments on writing without understanding what writing is about.

Because apparently, having a character who doesn't want to do something you wanted them to do isn't a justifiable reason to be stuck.

Which, as someone who actually has been writing while giving my characters free rein for years and actually has about 25 finished rough drafts as a result, I find to be a ridiculous assertion for a plotter to make.

But to give you plotter dudes an idea, this little inclusion in her "the worst" list is like me calling you chickenshit for insisting on a comfort blanket that is your plot outline before starting out. Because pantsing is true creativity, y'all.

*Eye roll*

And insulting people for using a method just because you don't use it, or just because you never thought to use it, is not cool.

Still, it did get me thinking about the things we do when giving and receiving advice and since I'm kinda in a mini-blog series about so-called "writing rules," I thought I'd write them down as tips of my own.

1) Even if you have a big following (and especially then), it's probably a bad idea to thoughtlessly mock roughly half of your following if you're not qualified by personal experience to comment on their method. 

Hell, this is a stupid idea in general.

2) Before you spout off on something, maybe consider if someone approaching writing in a certain way you disagree with actually helps that person write. 

Because if you're going to discourage a natural pantser from pantsing, you're not helping that person at all.

3) Keep in mind that people of various experience levels are consuming your advice. Tailor your information accordingly. 

4) Consider whether the limitations of your medium of choice allows you to do any statements you make justice. 

If you have under ten minutes in your vlog and you can't take the time to justify your opinion with more than a few trite, bullshit witticisms about why half your following is wrong, maybe this vlog post isn't the place to include this particular opinion.

5) If you're out to make yourself look smarter and better by insulting those different from you, you're doing it wrong

What about you? Have you ever seen or heard someone share writing advice that made your blood boil?